He paints the canvas as if it were a scenario with different types of material: Bologna gypsum, acrylic, newspaper or poster, layers of gold sheets in order to create the texture which will receive the photographic image. Subsequently, once the image is printed on the painting and with this first step of the fusion, he decides on how to proceed to bring out more power or balance to the work. This technique is in constant experimentation since in changing the painting preparation even with the same image, the work attains a completely different aspect; the photography is back to servicing and not being the guide as known till now. It becomes a filter, a transparent layer which lies on the picture and encloses the volume. The successive interventions of the artist enhance or diminish the volumes, colors and forms at his own pleasure.